Frederick Denny's - Encyclopædia of the British Music Hall

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Solo Men

Chris Baker
Wilkie Bard
Billy Bennett
Will Bently
Chirgwin
Laddie Cliffe
Tom Costello
Ted Cowen
Albert Chevalier
Harry Champion
J.J.Dallas
Gus Elen
George French
Alec Hurley
Dan Leno
George Leybourne
Sam Mayo
George Robey
J.W.(Over) Rowley
Arthur Rigby
Eugene Stratton
Jas.Sullivan
The Great Vance
Patsy Walsh

Solo Men

The Great Vance 1838-1888

Of these lions comiques, buffo vocalists, and serio-comics, the first was the Great Vance, formerly a young clerk from a solicitor’s office in Lincoln’s Inn Fields, who turned actor. He left the stage directly song and dance came in demand, and was applauded as the Cockney swell, otherwise the " Chickaleary Bloke."

From Romance of the Music Hall by M.Wilson Disher

J.J. Poole acquired a proprietary interest in the South London Music Hall ... vigorous policy at both these houses was evidenced by the number of artists to whom he gave a London reputation. The creation of the "Lion Comique" was in some measure the work of this manager - the phrase was actually his invention. Among the many artists whom he brought from the provinces, the most important was Vance.

From EARLY DOORS by Harold Scott 

On leaving the Mogul, Winder purchased the Metropolitan Music Hall, recently developed from the White Lion Tavern by a Mr. J. Meacock. The first programme presented by the new management included the Great Vance, M. and Mlle. D'Auban, John and Emma Ward (here separately announced), and Mdme. Losebini, with her daughter, " Miss Constance."    

From EARLY DOORS by Harold Scott   

 

 

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